WEBVTT 00:06.000 --> 00:09.291 WARNING: THIS DOCUMENTARY CONTAINS SPOILERS FROM THE FIFTH SEASON 00:10.500 --> 00:12.166 A NETFLIX DOCUMENTARY 00:12.250 --> 00:14.583 [dramatic instrumental music playing] 00:16.333 --> 00:20.000 [cast chanting indistinctly] 00:20.083 --> 00:21.666 [group cheers] 00:22.250 --> 00:24.416 How do you bring something so huge to a close? 00:29.500 --> 00:32.750 [Jesús Colmenar] I remember the last shot. When we said, "That's the one." 00:32.833 --> 00:35.083 They didn't want to get out of the helicopter. [laughs] 00:35.166 --> 00:38.625 They stayed inside, taking photos, hugging each other. 00:38.708 --> 00:40.500 [group cheering and clapping] 00:40.583 --> 00:42.750 [dramatic instrumental music building] 00:42.833 --> 00:44.625 [actors laughing inaudibly] 00:44.708 --> 00:46.208 [helicopter blades whirring] 00:46.291 --> 00:49.958 [Esther Acebo] To think how far I've come, both as an actress and as a person, 00:50.041 --> 00:52.583 while being here, and… now it's over. 00:58.291 --> 01:01.041 [Luka Peroš] It brought together so many emotions 01:01.125 --> 01:04.125 over a long period of time, and… 01:05.875 --> 01:07.791 and I can still feel it. [chuckles] 01:07.875 --> 01:10.250 [helicopter blades whirring] 01:10.333 --> 01:14.791 [Rodrigo de la Serna] I'm gonna miss Darko, Jaime, Miguel, Esther, Itziar. 01:14.875 --> 01:16.125 [sighs] 01:16.625 --> 01:19.541 [music builds, fades] 01:19.625 --> 01:22.500 [voice shaking] It's sort of a life-changing experience. 01:22.583 --> 01:24.333 Such intense work, you know? 01:25.625 --> 01:26.583 Wait. 01:26.666 --> 01:27.666 Give me a minute. 01:28.916 --> 01:33.291 It's like a little light bulb goes on, and you think, "Shit, it's really over?" 01:33.375 --> 01:37.291 [chuckles] Yeah. What can you do? 01:37.375 --> 01:39.333 [excited chatter] 01:39.416 --> 01:42.416 Oof. What a journey, right? What a journey. 01:42.500 --> 01:43.833 [chopper blades whirring] 01:43.916 --> 01:45.833 [Álvaro Morte] To see your colleagues there… 01:47.375 --> 01:48.708 right in front of you… 01:53.375 --> 01:54.291 Well, it's very moving. 01:55.416 --> 01:58.375 [dramatic music swells] 02:09.208 --> 02:11.625 [Pedro Alonso] I think the effort that the Vancouver team made, 02:11.708 --> 02:15.541 as a whole, all the departments, was just… tremendous. 02:16.875 --> 02:19.000 [crew cheering] 02:19.083 --> 02:20.708 It's been four seriously intense years. 02:20.791 --> 02:23.708 So many people who haven't stopped for a single second. 02:24.500 --> 02:28.291 [Álex Pina] I can only express gratitude for everything Money Heist has taught me. 02:28.375 --> 02:31.916 To be honest, I feel a great deal of sadness about finishing Money Heist. 02:34.041 --> 02:36.458 [Pedro] We could get all melodramatic, 02:37.458 --> 02:39.125 appeal to nostalgia, 02:39.208 --> 02:41.666 and talk about how sad we are to be finished with all this, 02:42.666 --> 02:44.916 but that would be so unfair. 02:45.916 --> 02:47.666 [uplifting music playing] 02:49.958 --> 02:52.500 [Pedro] Because this season has been a celebration. 02:52.583 --> 02:54.375 [cheers] Yeah! Yeah! 02:54.458 --> 02:55.916 [Pedro] Sure, it was the last one. 02:56.708 --> 02:59.541 But that's precisely why it was the most marvelous one. 03:00.041 --> 03:02.291 We celebrated until dawn. 03:02.791 --> 03:04.916 We danced. We sang. 03:05.000 --> 03:06.708 [all singing "Bella Ciao"] 03:08.916 --> 03:11.083 [Pedro] We went back to where it all began. 03:11.875 --> 03:13.791 We felt the pulse of life. 03:13.875 --> 03:15.750 [Berlin exclaiming and laughing] 03:15.833 --> 03:19.083 [Pedro] We pretended we were on the Norwegian Sea, 03:19.166 --> 03:21.416 when it was really the Canary Islands. 03:22.625 --> 03:26.000 I don't want water! I want whiskey! 03:26.083 --> 03:27.166 [Pedro] We laughed. 03:28.083 --> 03:30.125 We had contests. 03:30.208 --> 03:33.125 It starts with an A. The word Hovik says to me every morning. 03:33.208 --> 03:34.833 -"Abnormal." -That's it! 03:34.916 --> 03:37.250 [Pedro] We practiced on canvases, 03:38.166 --> 03:41.750 and we laid down houses on top of gigantic treasures. 03:42.750 --> 03:45.958 So, welcome to our last heist. 03:46.041 --> 03:47.833 Experience it with us. 03:47.916 --> 03:50.083 They've had such a good time 03:50.166 --> 03:53.125 that it would be a shame for you to miss out on it. 03:53.208 --> 03:56.125 [whispering] This is the last day. Then it's all over. 03:56.208 --> 03:58.833 [indistinct chatter] 03:58.916 --> 04:00.916 [crew chattering] 04:01.000 --> 04:03.666 [Pedro] Well, we didn't all have such a great time. 04:04.333 --> 04:06.250 Some of us suffered. 04:06.333 --> 04:08.041 [energetic music playing] 04:08.750 --> 04:09.666 [Pedro] A lot. 04:10.375 --> 04:11.791 [Professor panting] 04:11.875 --> 04:14.500 All sorts of things are happening to the Professor. 04:15.583 --> 04:18.416 The writers aren't letting me get the slightest break. [laughs] 04:18.500 --> 04:21.208 I can't right now, Marseille. I can't right now. 04:21.916 --> 04:24.166 Yeah. First, I was tied up. 04:24.250 --> 04:25.875 [Professor screams] 04:25.958 --> 04:27.666 I escaped. They tied me up again. 04:28.500 --> 04:30.750 I'd appreciate it if this rope were a little shorter. 04:30.833 --> 04:34.291 -[quirky music playing] -I think it's better here. 04:34.375 --> 04:37.083 All sorts of things are happening. There's more to come. 04:37.166 --> 04:40.583 [Pedro] There's an explanation for this. It's all part of a recipe. 04:40.666 --> 04:42.208 [screams] 04:42.291 --> 04:44.791 [Pedro] The more the Professor's plan goes off the rails, 04:44.875 --> 04:46.583 the more the tension escalates in the show. 04:46.666 --> 04:47.833 Look the kid in the eye! 04:48.541 --> 04:49.708 This is too much. 04:50.375 --> 04:52.083 [Albert Pintó] Suddenly, the series breathes. 04:52.166 --> 04:53.666 We go outside the bank a lot. 04:53.750 --> 04:54.708 It's like… 04:56.166 --> 05:00.041 It's intense. It's frenetic. But at the same time, very concise. 05:01.208 --> 05:04.166 The Professor has to face a bunch of problems that come up. 05:05.291 --> 05:08.750 Things he hasn't planned for and that he has to solve on the go. 05:08.833 --> 05:09.916 What was that? 05:10.000 --> 05:12.541 It's here and now. It has to be done now. 05:12.625 --> 05:14.708 Listen, I have a registered letter for 5C. 05:14.791 --> 05:17.416 Would you open the door so I can leave him the notice? Thank you. 05:17.500 --> 05:18.625 [sirens wailing] 05:18.708 --> 05:20.416 [Pedro] What you can't imagine 05:20.500 --> 05:24.000 are the rituals that Álvaro performs in order to become the Professor. 05:26.125 --> 05:29.541 [Álvaro] I also have a weird side. My little quirks, my obsessions. 05:29.625 --> 05:32.291 And so, when I work on a character, I always… 05:32.375 --> 05:34.500 on the one hand, use music. 05:34.583 --> 05:37.125 It gets me into character, and it's quite specific. 05:37.208 --> 05:39.250 Gillespie's "A Night in Tunisia." 05:39.333 --> 05:41.250 ["A Night in Tunisia" playing] 05:41.833 --> 05:45.250 Because it sort of gets me into the groove that the Professor has going. 05:46.333 --> 05:47.166 That's right. 05:48.041 --> 05:52.583 And aside from that, I have my ritual around how each character I play dresses. 05:52.666 --> 05:54.708 First this, then that, and then that. 05:54.791 --> 05:57.666 Until I have my shoes on, I won't pull up my pants. 05:58.166 --> 05:59.166 [director] Action! 05:59.250 --> 06:01.208 [quirky music playing] 06:01.291 --> 06:02.875 [Álvaro] Then I put my belt on. 06:04.291 --> 06:08.291 With my pants up but not fastened, I put on my shirt, I do up the buttons. 06:09.041 --> 06:12.583 I can't have my shirt on before putting on my pants. I'm sorry. 06:14.500 --> 06:18.208 Right after that comes the tie, which I leave undone. 06:19.250 --> 06:21.083 Then I roll up my shirtsleeves, 06:21.166 --> 06:25.791 and after that, I make the knot on my tie, which has to be at the exact spot. 06:25.875 --> 06:29.166 I'll sometimes tie it seven or eight times until it's perfect. 06:29.250 --> 06:33.166 'Cause the tip of the tie has to fall exactly halfway over the belt buckle. 06:34.541 --> 06:37.125 [Pedro] But if you want to imitate the Professor, 06:37.625 --> 06:39.958 you'll need to know a few tricks. 06:40.041 --> 06:42.000 The first one is obvious. 06:42.083 --> 06:43.666 The glasses, of course. 06:43.750 --> 06:46.958 [Pedro] He always puts them on with both hands… 06:49.166 --> 06:51.000 and adjusts them with one finger. 06:51.875 --> 06:54.541 Well, for me, the glasses are a bit like a mask 06:54.625 --> 06:58.250 on the Professor's disguise because he's always hiding behind them. 06:59.208 --> 07:02.583 In fact, when there were… There were moments in this fifth season 07:03.625 --> 07:08.500 that were very awkward for the Professor because he wasn't wearing his glasses. 07:08.583 --> 07:10.875 For him, it was very awkward to be in that situation. 07:10.958 --> 07:12.666 -[baby crying] -And my glasses? 07:12.750 --> 07:14.583 -I need my glasses. -[police clamoring] 07:14.666 --> 07:17.916 [Pedro] The next trick you need to learn to be able to do a Professor impression 07:18.000 --> 07:19.208 is the hand gestures. 07:20.166 --> 07:21.958 The Professor doesn't point like this. 07:22.041 --> 07:25.208 He points like this because he's a convoluted guy. 07:25.291 --> 07:28.291 He's a guy who hides what's really inside. 07:28.375 --> 07:30.166 Why would they go through all that trouble? 07:30.250 --> 07:32.791 -Because they need to. -Exactly! 07:32.875 --> 07:35.375 [Pedro] And the final touch to play the Professor. 07:35.458 --> 07:37.083 His posture. 07:37.166 --> 07:38.250 [somber music playing] 07:38.333 --> 07:40.666 In the past, he was a lot more hunched over, 07:40.750 --> 07:44.083 a lot more self-absorbed, with his shoulders sort of sagging, right? 07:44.166 --> 07:46.750 It's more as if he were constantly hiding from the world. 07:46.833 --> 07:49.708 And as it gets closer towards the end of everything, 07:49.791 --> 07:51.916 he starts standing a little more upright. 07:52.000 --> 07:53.791 His entrance to the bank is one of the moments 07:53.875 --> 07:56.000 when the Professor's standing more upright. 07:57.250 --> 07:59.958 Or at the end, when they're about to go in the helicopter. 08:02.666 --> 08:06.166 That's how weird the Professor is. That's how weird Álvaro Morte is 08:06.250 --> 08:08.333 when he performs his ritual to get into the character. 08:08.416 --> 08:10.833 [laughing] 08:10.916 --> 08:12.166 [classic guitar music playing] 08:12.250 --> 08:15.958 [Pedro] Do you know who's the most important character this season? 08:17.208 --> 08:18.208 [metal rattling] 08:18.291 --> 08:19.500 [Pedro] The gold. 08:20.000 --> 08:21.083 [Tatiana exclaims] 08:21.166 --> 08:22.875 [Pedro] And the best thing about it? 08:22.958 --> 08:26.583 If we ignore the fact that the real police would be waiting outside, 08:27.166 --> 08:30.791 you could actually clear out the Bank of Spain's national reserves. 08:31.291 --> 08:35.500 All you'd have to do is follow our plan because it is possible. 08:36.083 --> 08:37.375 Yes. Yes, it really is. 08:37.458 --> 08:41.291 That's when the next stage begins, which enables us to move the gold… 08:42.041 --> 08:46.125 The main challenge in getting the gold out was… the method of extraction. 08:47.041 --> 08:49.625 First, you have to break down the bars, melt them. 08:49.708 --> 08:53.250 Once the gold is melted into grit, you have to get it out through the pipes, 08:53.333 --> 08:55.375 and then it's like, "Now what?" 08:57.541 --> 09:00.291 We're going to make the gold go upstream like salmon do. 09:00.375 --> 09:01.458 [rock music playing] 09:02.166 --> 09:05.875 [Pedro] You would think that Palermo was the mastermind behind our heist, 09:05.958 --> 09:08.208 but in fact, the brains behind our plan 09:09.458 --> 09:10.500 is this man. 09:12.000 --> 09:16.666 My name is Luis Ramón Núñez. I have a doctorate in naval engineering. 09:16.750 --> 09:20.125 I was director of the school at Madrid's Polytechnic University. 09:20.625 --> 09:24.541 I've been involved as a researcher in harnessing the energy of sea currents. 09:24.625 --> 09:27.000 [Pedro] He was the one who added substance to our… 09:27.083 --> 09:28.041 Am I crazy? 09:28.125 --> 09:29.416 …intuition. 09:30.083 --> 09:33.375 I realized that oil rig pumps could move gravel from the seabed, 09:33.458 --> 09:37.666 and I said, "Well, if they can move gravel from the seabed, they can also move gold." 09:37.750 --> 09:39.791 That was all I needed to know. 09:39.875 --> 09:43.291 From that point on, someone else had to make it a reality. 09:43.375 --> 09:46.208 It extracts the aggregates from the seabed as if it were baby food. 09:47.000 --> 09:49.458 [Luis] It's a great idea. I liked it right from the start. 09:49.541 --> 09:52.125 I thought, "Wow. How original." 09:52.208 --> 09:54.250 -We only aspire to pure genius. -[both laugh] 09:54.333 --> 09:56.583 [Luis] I did a precise calculation for them 09:56.666 --> 09:59.291 using the basic equations for fluid mechanics. 09:59.375 --> 10:02.791 Completely. He's crossed every T, every detail. 10:03.583 --> 10:05.291 You take the density of pure gold, 10:05.375 --> 10:08.291 then see what the volume of 90,000 kilos might be. 10:08.375 --> 10:09.958 There's no margin of error. 10:10.541 --> 10:13.666 Because they would use all the formulas I'd come up with on a blackboard. 10:13.750 --> 10:15.000 They'd explain them, and… 10:15.750 --> 10:18.250 It's all measured, all calculated in detail, Sergio. 10:18.333 --> 10:20.458 When I told Luis Ramón Núñez 10:20.541 --> 10:23.500 that we wanted to get it out in 26 minutes, 10:23.583 --> 10:25.458 he said, "No." [chuckles] 10:26.291 --> 10:27.583 Impossible. 10:27.666 --> 10:30.041 "Guys, you can't do that. Four hours." 10:30.125 --> 10:33.208 "They're telling me four hours is impossible, Mr. Núñez." 10:33.291 --> 10:34.708 "What about two hours?" 10:34.791 --> 10:37.000 "Let's see. Two hours?" "No." 10:37.958 --> 10:39.416 [Luis] We recalculated. 10:39.500 --> 10:42.916 The best we could do was about 5,000 seconds. 10:43.708 --> 10:45.916 That's approximately an hour and a half. 10:46.000 --> 10:48.708 Ninety-one minutes and thirty-seven seconds later… 10:48.791 --> 10:51.375 He couldn't say "an hour and a half." It didn't sound right. 10:52.041 --> 10:54.041 -How so? -We have the vault right here, right? 10:54.125 --> 10:55.500 120,000 liters of water. 10:55.583 --> 10:57.333 That will be our driving force. 10:58.208 --> 11:01.458 So then, we're going to use the following equations. 11:01.541 --> 11:04.333 The first one is the power of the pump. 11:04.416 --> 11:08.416 [Palermo] It's a technical marvel. 5,300 kilowatts of power. 11:09.166 --> 11:12.416 [Luis] And we get a speed of 3.25 meters per second. 11:12.500 --> 11:13.750 That's relatively high. 11:13.833 --> 11:17.625 Sergio, we're gonna move the gold three and a quarter meters per second. 11:17.708 --> 11:19.583 -It's absurd. -There's one problem with that. 11:19.666 --> 11:22.916 -Now he's wondering, "What about--" -The loss of pressure due to friction? 11:23.000 --> 11:27.125 [Luis] We'll calculate the loss due to friction using the Darcy formula. 11:27.208 --> 11:28.583 The Darcy-Weisbach equation. 11:28.666 --> 11:31.583 [Luis] An 18th-century French dynamics engineer. 11:32.083 --> 11:34.666 We've got it to the millimeter. The only problem we might have-- 11:34.750 --> 11:36.208 Is using too much pressure. 11:36.791 --> 11:39.291 [Luis] It's optimistic, but it's a very high-quality pump, 11:39.375 --> 11:41.833 practically brand-new because they stole it 11:41.916 --> 11:43.708 from a Norwegian drilling operation. 11:43.791 --> 11:45.666 [tense music playing] 11:45.750 --> 11:49.500 [Luis] All this, after we do the math, gives us 5,300 kilowatts. 11:49.583 --> 11:50.791 Let's go! Faster! Come on! 11:50.875 --> 11:52.875 -[Bogotá] 4,500! -[machinery whirring] 11:52.958 --> 11:55.541 -Five thousand! Now! -[electricity crackles] 11:56.166 --> 11:59.375 It's very clever because, of course, they're using an existing pipeline 11:59.458 --> 12:01.000 that is supposedly there. 12:01.833 --> 12:04.833 These are the pipes. This is the stormwater tank. 12:04.916 --> 12:05.791 Here is the river. 12:05.875 --> 12:08.458 And I mean, it's really well thought out because it's real. 12:08.541 --> 12:11.708 This is real. It can be done. What he proposes can be done. 12:12.208 --> 12:14.416 …my dear friend, no one will expect. 12:14.500 --> 12:15.750 [Pedro] It could be done. 12:15.833 --> 12:17.833 But if there was no emotion underneath all of this… 12:17.916 --> 12:19.416 Goddammit! 12:19.500 --> 12:21.291 …it would be of no use to us. 12:21.375 --> 12:24.166 Science shall not live on numbers and calculations alone, Benjamín. 12:24.666 --> 12:26.291 Have a little faith, no? [sighs] 12:27.250 --> 12:28.666 And a little love too. 12:30.500 --> 12:32.708 [Álex] We always look at it from the perspective 12:32.791 --> 12:35.541 of being fully engaged emotionally with the characters. 12:35.625 --> 12:37.791 That's what gives us the DNA of Money Heist. 12:37.875 --> 12:39.583 It's not a series about heists. 12:39.666 --> 12:42.750 It's a series about heists with people who love each other. 12:42.833 --> 12:44.250 It's not just the gold. 12:44.750 --> 12:47.666 It's all the nights we spent planning it together. 12:47.750 --> 12:49.041 [gentle music playing] 12:49.125 --> 12:51.291 [Álex] That moment, I think, is very touching. 12:51.375 --> 12:55.583 When the gold isn't coming out, and Palermo speaks to the pump, right? 12:55.666 --> 12:58.500 …beautiful memories of my life. I am begging you, for the love of God. 12:59.708 --> 13:02.541 Making these characters real, you know? With real emotions. 13:02.625 --> 13:05.208 That's how we make the viewers feel like they know them. 13:05.291 --> 13:07.666 [Palermo] Don't let this be a mistake. 13:08.166 --> 13:11.125 Don't let it be an illusion. I'm begging you, for God's sake. 13:11.625 --> 13:14.750 [Jesús] And the main thing is the romanticism behind this robbery. 13:14.833 --> 13:17.083 It's not so much about the gold itself, 13:17.666 --> 13:19.750 but about achieving the impossible. 13:20.250 --> 13:22.625 At the end of the day, our characters are romantics. 13:22.708 --> 13:25.125 -They want to achieve the impossible. -Come on! Come on! 13:25.208 --> 13:26.416 [gentle music swells] 13:30.833 --> 13:34.625 It's emotional because, deep down, there's a whole love story behind it. 13:36.041 --> 13:38.375 [cheering inaudibly] 13:42.583 --> 13:43.541 With Berlin. 13:47.208 --> 13:50.458 It was a catastrophe. [laughs] 13:51.291 --> 13:52.958 It's a bit unwarranted, right? 13:53.041 --> 13:56.500 That a guy like Palermo might fall for a guy like Berlin, as played by me. 13:56.583 --> 13:57.750 It's a little far-fetched. 13:57.833 --> 13:59.166 Why do you say that? 13:59.250 --> 14:01.583 I remember they said, "Rodrigo de la Serna is coming." 14:01.666 --> 14:03.833 I thought, "No one is gonna believe his character is…" 14:03.916 --> 14:05.708 [sighs] Ah, he's such a flatterer. 14:05.791 --> 14:08.333 [both laughing] 14:08.416 --> 14:10.875 -[gentle music playing] -Brother. 14:10.958 --> 14:13.208 [Rodrigo] I felt an instant connection with you, right? 14:13.291 --> 14:14.958 And I think it was… 14:15.458 --> 14:17.791 -[Pedro] It was sudden. -It was very sudden. 14:17.875 --> 14:20.375 -Like we immediately found each other. -[Pedro] Yes. 14:20.458 --> 14:21.625 You think I don't love you? 14:21.708 --> 14:23.708 I feel it too. There's something between us. 14:23.791 --> 14:26.708 Something extraordinary, unique, marvelous. 14:26.791 --> 14:28.166 [gentle music continues] 14:28.250 --> 14:30.791 Well, this happens to me when we work together, right? 14:31.291 --> 14:35.541 [laughing] It's impossible to predict what will happen when they say, "Action." 14:35.625 --> 14:38.208 -[quirky music playing] -[crew speaking indistinctly] 14:40.333 --> 14:44.208 Some scenes, like the famous scene we did together where we had to kiss. 14:44.916 --> 14:47.500 [gentle music playing] 14:47.583 --> 14:49.375 I don't remember what we did. 14:49.958 --> 14:52.125 Are you a coward? Huh? 14:54.166 --> 14:56.000 But we grabbed each other. We fought. 14:56.083 --> 14:59.083 There… There was violence. The scene was violent. 14:59.166 --> 15:01.416 [both grunting and panting] 15:01.500 --> 15:04.208 [Rodrigo] I mean, I felt like I was insulted as a man 15:04.291 --> 15:07.166 because this guy was leaving, and he was laughing. 15:07.250 --> 15:09.250 And at that moment, I thought, "Oh man." 15:09.333 --> 15:12.625 "I am gonna kill you. I am gonna rip your throat out with my teeth." 15:12.708 --> 15:16.291 I mean, it was more of a passion thing, if you will. 15:17.458 --> 15:19.416 But my brother's right. We have to part ways. 15:19.500 --> 15:20.416 [Palermo sighs] 15:20.500 --> 15:24.875 He's far out on the edge. So broken by loss and heartache. 15:24.958 --> 15:29.166 And he was devastated by the fact that the only love he ever had 15:29.250 --> 15:32.291 wasn't reciprocated, and on top of that, he's now dead. 15:33.333 --> 15:36.375 Both your character and mine are kind of operatic, right? 15:36.458 --> 15:38.583 A little bit operatic. 15:38.666 --> 15:41.583 [dramatic orchestral music playing] 15:49.000 --> 15:50.041 [inaudible] 15:51.375 --> 15:53.291 [music fades] 15:53.375 --> 15:56.625 -You've got something… -Well, mine is more pathetic than yours. 15:56.708 --> 15:59.000 -[laughs] -Well, you always say that. 15:59.500 --> 16:01.541 Well, it's a type of pathos, isn't it? 16:01.625 --> 16:04.083 Palermo embodies that, but in a good way. 16:04.166 --> 16:08.416 My drama teacher once told me there are only three states. Just three. 16:08.500 --> 16:12.041 Which are tragedy, if a tragedy occurs, pathos. 16:12.125 --> 16:13.291 Then ominous, 16:13.791 --> 16:15.916 which is when you've overcome that instance 16:16.000 --> 16:18.291 but you still recall the tragedy. 16:18.375 --> 16:19.250 Then there's comedy. 16:19.333 --> 16:22.250 When you can take that tragedy and start to… 16:23.041 --> 16:26.000 -But you have all of them. -We all do. 16:26.083 --> 16:28.083 We all do, but you have them all a lot. 16:28.166 --> 16:30.583 But it's just those three pure states. That's all. 16:31.166 --> 16:33.750 [Pedro] There is another. Stress. 16:34.250 --> 16:35.125 [screams] Fuck! 16:35.625 --> 16:37.708 Holy mother of Christ. 16:38.541 --> 16:40.541 [woman] Well, now the mess is in Madrid. 16:42.375 --> 16:46.083 Yeah, it's typical of Money Heist to make things harder. Totally. 16:46.666 --> 16:49.208 The other departments hate us, and for a reason. 16:50.208 --> 16:52.208 Every time we'd read an episode, 16:52.291 --> 16:55.291 I went right ahead to see how many new spaces would appear. 16:55.791 --> 16:58.208 Working on Money Heist means constant stress 16:58.291 --> 17:01.916 because you think, "I won't have enough time to make this new set." 17:02.916 --> 17:04.041 Everything is fine on paper. 17:04.125 --> 17:05.583 I mean, you can write a line 17:05.666 --> 17:08.583 that says, "The Ottoman army walks through the gates." 17:08.666 --> 17:11.041 And it's just a line, right? But then you go try to film that. 17:11.125 --> 17:13.833 [Pedro] Well, we actually shot it. 17:14.541 --> 17:16.333 -[man] One, go! -[explosion blasts] 17:18.375 --> 17:20.333 What the viewer sees is absolutely real. 17:21.666 --> 17:23.458 [Nacho Fernández] We like physical effects. 17:23.541 --> 17:27.000 Almost everything you see, 95% of it is a real physical effect. 17:27.083 --> 17:30.166 If we are supposed to melt gold, the gold is actually melted. 17:30.250 --> 17:32.916 [energetic music playing] 17:33.000 --> 17:36.750 If it's supposed to rain through the hole in the ceiling, 17:36.833 --> 17:40.125 in the gala dining room, it actually rains. 17:44.375 --> 17:48.125 If we are supposed to flood the set, we actually flood it. 17:53.791 --> 17:57.208 We took the biggest, tallest space we had, added a few columns. 17:57.291 --> 17:59.541 But it's a stormwater tank, so what's missing? 18:01.458 --> 18:03.250 I couldn't believe it at first. 18:03.791 --> 18:05.333 The water was missing. 18:06.625 --> 18:09.208 For example, first, he said there had to be water up to the knees. 18:09.291 --> 18:12.958 "So we'll put water in, guys. It's tough, but let's fill it with water." 18:13.875 --> 18:16.708 "This is a global show, so everything in abundance." 18:17.583 --> 18:22.333 "Guys, we're one of the leading series. The others have dragons. What've we got?" 18:24.083 --> 18:26.333 But I mean, what? Are we going to work in a boat every day? 18:27.208 --> 18:31.500 It became a problem when I went down and found ten centimeters of water. 18:31.583 --> 18:33.333 It was completely impossible to go in there 18:33.416 --> 18:36.791 if you weren't wearing a pair of rain boots up to here. 18:36.875 --> 18:38.291 [takes a deep breath] 18:40.208 --> 18:42.791 Production said to me, "You're crazy. What is all this?" 18:44.375 --> 18:46.000 And when we began doing some tests, 18:46.083 --> 18:49.500 checking the lighting, of course, it was spectacular. 18:50.000 --> 18:54.166 -[bright music playing] -[Migue] Because it served as a mirror. 18:54.250 --> 18:57.750 Any lights I put up in the stormwater tank would be duplicated. 18:57.833 --> 19:01.000 All the columns would be duplicated. Everything would be duplicated. 19:01.083 --> 19:03.750 So it was big, but now it would look twice as big. 19:05.333 --> 19:07.500 [Cristina] In the end, what we saw on the screen, 19:07.583 --> 19:09.041 I had to admit he was right. 19:09.125 --> 19:10.708 It was infinitely better. 19:11.208 --> 19:12.375 [upbeat music playing] 19:12.458 --> 19:16.333 [crew member] Episode 506. Sixteen A and B. Third. Mark B. 19:17.750 --> 19:20.458 [Pedro] But the big challenge for Production this season 19:20.541 --> 19:23.416 was finding an oil-drilling rig in Norway. 19:23.500 --> 19:26.291 -["Ode to Joy" playing] -And there's the platform. 19:26.791 --> 19:29.500 [Pedro] We couldn't find one, so we had to settle for one 19:29.583 --> 19:32.125 that was being repaired off of the Canary Islands. 19:32.625 --> 19:35.000 We had to pretend we were in the Norwegian Sea, 19:35.083 --> 19:36.875 though it was 91 degrees. 19:37.375 --> 19:38.750 [director] Roll camera. 19:38.833 --> 19:40.208 [upbeat music playing] 19:40.291 --> 19:42.958 It's hot, but I have to pretend I'm cold. 19:43.041 --> 19:46.041 Also, I have a terrible cold, but no one can tell. 19:46.541 --> 19:49.458 I thought they'd have a tougher time in the Canary Islands. 19:49.541 --> 19:51.125 They behaved very well. 19:51.208 --> 19:52.875 [man] Want some hot water? Some tea? 19:53.458 --> 19:55.291 [woman] We're sweating in negative four degrees. 19:55.375 --> 19:58.083 They have to dress up in all these clothes. 19:58.166 --> 20:00.166 Very warm clothes. 20:00.250 --> 20:04.416 -[indistinct chatter] -What you have here is Arctic melancholy. 20:04.500 --> 20:07.833 [man] Anyone who doesn't need to be here, please leave. Let's clear the space. 20:08.708 --> 20:10.541 All covered up while it was so hot. 20:10.625 --> 20:13.458 The rest of the crew were in shorts and T-shirts. 20:14.916 --> 20:17.541 [Arturo Iriarte] It's supposed to be a Norwegian oil rig. 20:17.625 --> 20:19.833 And we're going to have to insert ice in the sea, 20:19.916 --> 20:22.291 replace the sea and add ice, so it looks like Norway. 20:22.375 --> 20:25.375 We're actually in Tenerife, with the sun and the beach. 20:25.458 --> 20:26.416 [snarls] 20:26.500 --> 20:29.208 -[rhythmic music playing] -[woman] Don't scare me, okay? 20:29.291 --> 20:31.375 [Palermo] That's our man, Santiago. 20:31.458 --> 20:33.500 -He's an underwater welder. -[wind howls] 20:34.083 --> 20:36.041 Well, I think that's where we learned 20:36.125 --> 20:38.666 how they formed the original gang, you know? 20:38.750 --> 20:41.541 The one before the heist at the Mint. 20:42.041 --> 20:44.625 Twenty years working, and now you want to be a thief. 20:45.791 --> 20:48.458 It's the first time I had a one-on-one with Berlin. 20:48.541 --> 20:51.125 I'm excited. I'm really excited, to be honest. 20:51.208 --> 20:52.583 [Berlin gasps, panting] 20:52.666 --> 20:55.166 [Bogotá] You think this sea is for cowards, you piece of shit? 20:55.250 --> 20:57.083 You came here dressed in your mother's coat. 20:57.166 --> 21:01.416 We thought we were the only romantics left on this earth! 21:01.916 --> 21:03.291 But we found another one! 21:03.375 --> 21:06.916 [all laughing] 21:07.000 --> 21:08.125 [clapping] 21:10.208 --> 21:13.250 -[excited chatter] -[Koldo] It's like this. 21:14.208 --> 21:16.291 [Pedro] There is one way to define a character 21:16.375 --> 21:18.000 that I'd like you to know. 21:18.083 --> 21:19.083 [ominous music playing] 21:19.166 --> 21:23.000 [Pedro] A definition that is physical and has its own hallmark. 21:24.208 --> 21:26.958 -[laughing] Yoo-hoo. -[Pedro, quietly] It's her. 21:27.041 --> 21:29.041 [disco music playing] 21:30.666 --> 21:32.208 My name is Alicia Sierra. 21:32.291 --> 21:33.416 This is my hair. 21:34.416 --> 21:36.458 I'm an inspector for the National Police. 21:38.958 --> 21:41.458 Then I put on the wig and get some freckles and whatnot, 21:41.541 --> 21:44.541 and I'll turn into that creature, into whatever I have to be. 21:44.625 --> 21:46.125 [chuckles] 21:46.708 --> 21:48.291 I'm off to makeup. Sara! 21:49.958 --> 21:54.166 To play Alicia Sierra, I have to find a kind of madcap energy. 21:54.958 --> 21:57.208 I don't know what it means, but it means something. 22:00.458 --> 22:01.708 I wanna start getting banged up. 22:01.791 --> 22:02.958 Put stuff on me, please. 22:03.708 --> 22:04.666 Ta-da. 22:05.500 --> 22:07.333 See? We're doing the freckles. 22:07.416 --> 22:10.250 Sara figured out a way to make them that's just awesome. 22:10.333 --> 22:11.666 I always ask for more. 22:11.750 --> 22:15.041 -They say, "You can see them on camera." -Señor Marquina, say "hi" to the camera. 22:17.583 --> 22:19.708 This is one of the biggest battles. 22:19.791 --> 22:21.625 "More freckles!" And she says, "No!" 22:21.708 --> 22:23.875 [music fades] 22:25.125 --> 22:27.916 I'm 50, so I always pull my hair back. 22:28.000 --> 22:31.416 It's either that or surgery. So what do I do? Pull my hair back. 22:31.500 --> 22:33.666 It's just an extreme maneuver to distract us. 22:34.250 --> 22:35.958 Very young, all extra-cool. 22:38.333 --> 22:40.416 I don't ask them to give me freckles or wigs. 22:40.500 --> 22:44.041 I'm constructing a character, and I know what kind of qualities she has 22:44.125 --> 22:45.791 based on what they've written. 22:45.875 --> 22:47.791 They told me she's supposed to be pregnant. 22:47.875 --> 22:49.541 Alicia Sierra, yes, not me. 22:49.625 --> 22:53.625 And I make up the whole thing. So I say, "Blue eyes. Her name is Alicia." 22:54.375 --> 22:55.666 And I know how to do it. 22:56.916 --> 23:00.291 The thing is, it's hard to play a bad person with brown eyes. 23:00.375 --> 23:02.583 [Najwa singing] 23:02.666 --> 23:04.583 ♪ Green eyes are traitors ♪ 23:04.666 --> 23:06.083 ♪ Blue eyes are liars ♪ 23:06.583 --> 23:09.833 ♪ But black and brown eyes Are steadfast and true ♪ 23:11.750 --> 23:15.000 Najwa is someone who likes to be very close to wardrobe. 23:15.083 --> 23:17.000 She likes to play. She likes to investigate. 23:17.083 --> 23:19.208 She likes trying on a lot of stuff, you know. 23:20.750 --> 23:24.666 [Najwa] A wig, or a hat, or a sword, or a scar on your face. It's all the same. 23:25.166 --> 23:27.833 Any extra thing that isn't natural to you, 23:27.916 --> 23:31.416 you really have to take it onboard. Otherwise, it'll stand out. 23:31.500 --> 23:35.916 Like when you see someone wearing a hat and think, "Shit. It looks awful on them." 23:36.000 --> 23:38.333 It looks awful because they're too self-conscious 23:38.416 --> 23:40.750 about the fact that they're wearing a hat. 23:40.833 --> 23:43.000 Hats suit people who forget they're wearing them. 23:43.791 --> 23:45.875 [kisses] I swear on the baby Jesus. 23:45.958 --> 23:49.125 Her wardrobe went through a radical change this season. 23:49.208 --> 23:51.458 The way she arrives at the stormwater tank, 23:51.541 --> 23:53.208 dressed almost like Columbo. 23:53.291 --> 23:56.541 I mean, it's like she's hiding behind her glasses and so on. 23:56.625 --> 23:59.291 And it's really nice to see how she's transformed 23:59.375 --> 24:01.666 into the sexy woman that we see at the end. 24:03.083 --> 24:05.750 I don't know if I would've made her so sexy. 24:05.833 --> 24:08.958 I like the top part. I think it's okay. She's full-breasted after giving birth. 24:09.041 --> 24:13.666 I'm a woman who just had a baby girl, and I'm breastfeeding. 24:14.791 --> 24:16.833 In the final stretch, near the end, 24:16.916 --> 24:20.166 during the final farewell, they hit the nail on the head. 24:20.250 --> 24:22.500 The wardrobe was perfect from the outset 24:22.583 --> 24:26.083 because the cut was incredible with those military colors. 24:26.166 --> 24:27.583 It had everything. 24:27.666 --> 24:30.166 It was, like, the Sierra of the future. I loved it. 24:31.208 --> 24:33.708 [Pedro] You know what's really difficult for an actor? 24:34.208 --> 24:37.375 Playing a character who's always at full throttle. 24:37.458 --> 24:38.500 Jesus Christ. 24:38.583 --> 24:41.583 [Pedro] The challenge is to keep it all reined in. 24:42.083 --> 24:44.958 Ships, aircraft carriers, every goddamn fucking thing! 24:45.541 --> 24:49.250 He's a character with a strong military personality. 24:49.333 --> 24:51.583 Goddammit, I heard you. I'm trying to think here. 24:51.666 --> 24:53.333 He's full of energy. 24:53.416 --> 24:54.875 Quickly, my ass. 24:54.958 --> 24:55.916 Very exaggerated. 24:56.000 --> 24:57.958 You're givin' me a hard-on, Angelito. 24:58.041 --> 24:59.208 Such a filthy mouth. 24:59.291 --> 25:01.375 She beat us to it, that fucking bitch! 25:01.458 --> 25:05.375 That makes him very humorous. People have fun watching him. 25:05.458 --> 25:07.750 [mumbles mockingly] 25:07.833 --> 25:08.875 You just negotiate. 25:08.958 --> 25:11.041 [calming music playing] 25:11.625 --> 25:13.708 [Fernando Cayo] When you have a lively character 25:13.791 --> 25:16.125 who experiences such powerfully tense moments, 25:16.208 --> 25:17.708 you have to define each one. 25:17.791 --> 25:19.333 [Fernando takes a deep breath] 25:20.458 --> 25:23.875 Okay, then let's continue where we left off. 25:23.958 --> 25:24.916 Do you have it open? 25:25.000 --> 25:28.583 -I think we were… -[woman] On page 12. 25:29.291 --> 25:30.500 Oh, okay. 25:30.583 --> 25:32.833 -Well then, let's get to it. -[controls beep] 25:35.458 --> 25:38.875 [Fernando] The first thing I need is the script. That's what I start with. 25:38.958 --> 25:41.125 I do an in-depth analysis of the script. 25:41.208 --> 25:43.666 And I normally do that on my treadmill that I have at home 25:43.750 --> 25:47.458 because it's even been proven that our memory retains things much better 25:47.541 --> 25:50.916 while we're moving, and that helps me lighten the workload of study. 25:51.000 --> 25:54.125 Once in a while, my friend Esmeralda, who lives next door, lends me a hand. 25:54.708 --> 25:57.333 She's a neighbor who lives next door here, and she's… 25:57.416 --> 26:00.333 Well, she does me this huge favor because there's a huge difference 26:00.416 --> 26:02.875 between trying to memorize the script alone 26:02.958 --> 26:06.250 and interacting with someone else who's feeding the lines to you. 26:06.750 --> 26:08.291 [energetic music playing] 26:08.375 --> 26:10.375 Great. We've got this one down now. 26:10.875 --> 26:13.791 -That's okay? Page 31? -Yeah. 26:14.291 --> 26:15.458 "Consuelo?" 26:16.833 --> 26:18.000 I see she's not there. 26:18.083 --> 26:21.833 I press the panic button, and I go towards… the kitchen. 26:25.583 --> 26:28.625 "Tamayo, we weren't expecting you so soon." 26:28.708 --> 26:30.666 I really love your home. 26:30.750 --> 26:33.958 -"I'm enchanted by your home." -"What the fuck are you doing here?" 26:34.708 --> 26:36.708 What the fuck are you doing here? 26:36.791 --> 26:39.083 "Shh! No swearing." 26:39.166 --> 26:41.250 At this age, they're like little sponges. 26:41.333 --> 26:43.833 And I don't want you traumatizing her, so… 26:43.916 --> 26:45.375 "Good vibes. Smile." 26:46.500 --> 26:50.083 Okay. Now I look at the baby. I look at her. 26:52.208 --> 26:53.541 "If you hurt my wife…" 26:53.625 --> 26:55.458 I'll wipe you off the face of the earth. 26:56.208 --> 27:00.416 And from that point on, I try to find images that I think are evocative 27:00.500 --> 27:03.916 or that take me back to the moods that the character goes through 27:04.000 --> 27:05.791 in a particular episode. 27:05.875 --> 27:09.750 I try to create a series of gestures that have a lot to do with Tamayo. 27:09.833 --> 27:12.041 Also postures. All his gestures. 27:12.125 --> 27:14.833 His body language. That's all very important. 27:14.916 --> 27:18.708 Like, the moments when he's looking at the screens, for example. 27:18.791 --> 27:21.458 This gesture is very typical of Tamayo, isn't it? 27:21.958 --> 27:25.083 And there's all that stuff he does with his hands 27:25.166 --> 27:26.916 when things are going wrong. 27:27.000 --> 27:29.416 The way he touches his own face. 27:29.500 --> 27:34.291 I don't know. I work with my hands a lot. With my hands clasped, my fists… 27:34.375 --> 27:35.333 C'mon, c'mon! 27:36.125 --> 27:38.416 Music is one of the first things I always use. 27:39.375 --> 27:42.583 -[takes a deep breath] -[rock music playing] 27:42.666 --> 27:44.583 [Fernando] I try to find music that takes me back 27:44.666 --> 27:47.125 to the emotional state my character is in. 27:48.791 --> 27:50.958 [inhales sharply, exhales] 27:51.041 --> 27:53.541 [panting] 27:54.375 --> 27:57.708 I use some tracks by Marilyn Manson that are really punchy 27:57.791 --> 28:01.708 for those moments when the tension is really cranked up to 11. 28:01.791 --> 28:04.958 -All I want is a fair war. -That doesn't exist. 28:05.750 --> 28:08.583 [Fernando] By the time I'm on the set, I don't have to play the music. 28:08.666 --> 28:10.208 The connection's already made. 28:10.291 --> 28:12.541 And I think, "This scene opens with this track." 28:12.625 --> 28:16.958 And that immediately puts me in my place, and I'm possessed by a certain rhythm. 28:17.041 --> 28:18.958 [panting] 28:19.041 --> 28:22.458 [sighs] Well, that's one of them. Is that okay? 28:23.291 --> 28:26.208 Hey, but in any case, if you came back in a flashback, 28:26.916 --> 28:31.208 do you have any particular wish or idea about how you'd like to come back? 28:33.125 --> 28:36.458 I'd like to come back sort of appearing to someone. 28:37.083 --> 28:38.625 -Like a ghost? -Yeah. 28:38.708 --> 28:40.000 [all chuckle] 28:40.083 --> 28:42.375 That's not really fitting for Money Heist, is it? 28:42.458 --> 28:44.833 No, I'm serious. In a real flashback. 28:44.916 --> 28:47.958 About a past we haven't seen, or… 28:49.083 --> 28:50.791 I think I might like it if… 28:52.500 --> 28:54.333 if it involved a lot of dancing. 28:54.416 --> 28:57.333 -Please? That's so me. -We have a few things that might… Right? 28:57.416 --> 28:59.833 -We could fit that into the hake scene. -Yeah, yeah, yeah. 28:59.916 --> 29:03.166 -[Úrsula Corberó] What hake scene? -[both] The night of the hake. 29:03.250 --> 29:07.000 -[Úrsula] The night of the hake? -The night you're gonna see the Professor… 29:08.000 --> 29:09.458 -A little bit… -Lose it. 29:09.541 --> 29:11.250 -In a messy state? -Drinking patxaran. 29:11.333 --> 29:13.666 No way. I'll go crazy. I have to be there. 29:13.750 --> 29:15.666 [all laugh] 29:16.250 --> 29:18.166 -Okay. -Please. I need to be there. 29:18.250 --> 29:20.041 -It's a promise. -I want us all to be there. 29:20.125 --> 29:23.041 Like, "Yeah, yeah, yeah." No drama, you know? 29:23.125 --> 29:25.375 So, we can all be there, dancing, like, "Yeah!" 29:25.458 --> 29:26.458 [singing] 29:26.541 --> 29:27.625 ♪ When we leave ♪ 29:27.708 --> 29:29.583 -The Professor is smoking. -You're lying. 29:29.666 --> 29:33.333 Yes. He has to lose it at least once. And you'd have to be there. It's true. 29:33.916 --> 29:35.500 No, please. Tokyo has to… 29:35.583 --> 29:38.291 I mean, come on. No. That can't be. How can she miss that? 29:38.375 --> 29:42.333 Who was the funny guy, or funny girl, who put this fish inside my bed? 29:42.416 --> 29:43.375 [repressed laughter] 29:43.458 --> 29:44.875 [upbeat music playing] 29:44.958 --> 29:46.125 [Álvaro] The hake scene was… 29:46.208 --> 29:48.500 I think that was one of the toughest exercises 29:48.583 --> 29:49.750 I've ever had to do. 29:49.833 --> 29:52.000 To stop myself from laughing on set. 29:52.083 --> 29:53.166 You know what? 29:53.250 --> 29:55.291 -[Tokyo] Ugh! -[all yelp] 29:55.375 --> 29:56.833 [all groan] 29:56.916 --> 29:59.208 -[Álvaro laughs] -[indistinct chatter] 29:59.291 --> 30:01.083 I resign as the brains behind the gang. 30:01.166 --> 30:03.208 I'd much rather be partying. Give me the patxaran. 30:03.291 --> 30:06.833 -Uh, it's more amaretto than patxaran. -Just give it to me. Shut up. 30:07.416 --> 30:10.000 His anger is more like an implosion than an explosion. 30:10.791 --> 30:12.041 It kinda grabs him, and… 30:12.125 --> 30:13.458 [laughs] 30:13.541 --> 30:15.666 I'm having a great time, and, well… 30:16.250 --> 30:19.666 We are all having a good laugh, and it's all a lot of fun. 30:20.500 --> 30:21.958 Let's all relax. 30:22.833 --> 30:24.916 Let's all just relax. Okay. 30:25.666 --> 30:27.000 [dance music playing] 30:31.416 --> 30:35.083 My character, Lisbon, is amazed to see the Professor dance. 30:35.166 --> 30:37.041 She's never seen anything like it. 30:37.125 --> 30:39.125 -[all chattering] -[Koldo] You have to freak out. 30:39.625 --> 30:41.958 -Like it really surprises me? -[Koldo] Yeah. He's changed. 30:42.041 --> 30:44.708 [disco music playing] 30:46.375 --> 30:49.000 [Esther] I suppose it has to do with… It's a moment of air and light. 30:49.083 --> 30:51.458 Because we're shooting something that's an action series, 30:51.541 --> 30:52.583 almost like a war series. 30:52.666 --> 30:54.375 All of a sudden, we're having a nice dinner. 30:54.458 --> 30:56.166 And we're all, like, relaxed. 30:57.250 --> 31:00.125 [Jaime Lorente] We had a bit of whiskey. Some shots. Just a little. 31:00.208 --> 31:03.041 Stanislavski would have been very proud of us. [laughs] 31:03.125 --> 31:06.708 [laughing] What did they tell you about the hake? 31:06.791 --> 31:08.500 [disco music continues playing] 31:11.625 --> 31:14.500 You mentioned the hake scene, and from the look in your eyes, 31:14.583 --> 31:16.916 I imagine you must have insider information. 31:17.000 --> 31:18.666 [laughs] 31:22.458 --> 31:25.458 [Pedro] But there's something more to the night of the hake. 31:25.541 --> 31:28.458 Tokyo returns to give the Professor a message. 31:29.125 --> 31:32.041 The rest of us can mess around and get wasted… 31:32.125 --> 31:34.000 [gentle music playing] 31:34.083 --> 31:36.250 …because you're on the other side, holding the rope. 31:36.333 --> 31:37.916 [Pedro] And she tells him this 31:38.000 --> 31:41.416 because no one can talk to the Professor like Tokyo does. 31:42.291 --> 31:46.000 She dares to stand up to the Professor and ask him, "What's up with you?" 31:46.083 --> 31:47.416 "Why are you doing this?" 31:47.500 --> 31:50.125 Do you think it's normal to arrange your shirts by color? 31:50.958 --> 31:52.083 Have you seen yourself? 31:53.250 --> 31:55.500 Sure. That's what's so great. 31:55.583 --> 31:56.875 They complement each other. 31:56.958 --> 31:59.458 Because they're so different, and at the same time, 31:59.541 --> 32:01.916 they're so honest with each other. 32:02.000 --> 32:05.291 And their relationship is so… authentic 32:05.791 --> 32:09.750 that this always gives me free rein to really be the real Tokyo. 32:10.666 --> 32:13.083 There's another thing about Tokyo and the Professor. 32:13.166 --> 32:15.250 When did we ever have a scene like this? 32:15.333 --> 32:19.541 And now we have the opportunity to do something really wonderful. 32:19.625 --> 32:22.125 That's why we go back into the lion's den. 32:25.125 --> 32:28.583 [Koldo] In fact, that's the last time Úrsula appears in the series. 32:29.458 --> 32:31.583 It's the end of episode nine, and she tells him 32:31.666 --> 32:34.125 that all the others are there because he's there. 32:35.375 --> 32:36.958 Because we all believe in you. 32:40.166 --> 32:42.958 It's coupled with the fact that it's a tough moment for him. 32:43.041 --> 32:46.166 It's like the Professor is giving up, and it's like all is lost. 32:46.250 --> 32:48.791 Because we know we'll always have the Professor. 32:49.291 --> 32:52.416 [gentle music continues playing] 32:52.500 --> 32:54.875 [crowd cheering] 33:02.541 --> 33:07.666 All of Money Heist is made up of parents, children, families, friends. 33:07.750 --> 33:13.041 It's all mixed in there, right? Hmm. All that sometimes-exaggerated emotion. 33:13.750 --> 33:15.958 'Cause I don't want you to live the life I lived. 33:16.041 --> 33:17.208 'Cause I want you to be free. 33:18.291 --> 33:20.583 Because it's one of the most universal feelings. 33:20.666 --> 33:23.583 To be someone's child. To love a parent. 33:23.666 --> 33:26.291 To be a parent. To protect your child. 33:26.875 --> 33:28.375 And they really fucked me good. 33:28.458 --> 33:31.291 Because now the only thing I want 33:32.125 --> 33:33.583 is to smell my son. 33:34.166 --> 33:36.875 Children look at their parents with utmost admiration. 33:37.708 --> 33:40.041 I think it's a kind of homage to parenthood. 33:40.541 --> 33:41.791 [Rafael] I'm really glad. 33:42.375 --> 33:45.250 That we're here. The two of us together again. Really. 33:46.958 --> 33:50.041 And we've looked at parenthood from many different angles. 33:50.125 --> 33:53.625 Obviously, we've got Moscow and Denver. 33:54.125 --> 33:56.083 The smallest little hitch comes, boom. Let's steal. 33:56.166 --> 33:58.708 You're one to talk. You brought me to steal the money factory. 33:59.291 --> 34:02.583 In that story, we've seen how difficult it is to bring up a child 34:02.666 --> 34:04.625 and try to set him on the right path. 34:04.708 --> 34:07.833 So you'll learn to do it intelligently, like the Professor. 34:07.916 --> 34:09.541 He knows how to do it right. 34:09.625 --> 34:10.708 You steal big in one go, 34:10.791 --> 34:13.083 not in small amounts and screwing other people over. 34:13.166 --> 34:15.375 [Koldo] Denver and his dad are hand in glove. 34:15.458 --> 34:18.416 I mean, they could be brothers instead of father and son. 34:19.000 --> 34:20.875 -[Paco Tous] Son! -[Jaime] Hey! 34:20.958 --> 34:23.916 -[Paco] You son of a bitch! -[Jaime] What's up, Dad? 34:24.000 --> 34:27.666 Son, do you have… were you born with horns? 34:27.750 --> 34:28.666 [Jaime] Why? 34:29.416 --> 34:31.625 [Paco] I don't know. Because you're a scumbag. 34:31.708 --> 34:32.791 [Jaime laughing] 34:33.375 --> 34:36.291 -Daniel. I never call you Daniel, do I? -Not even once. 34:36.375 --> 34:39.583 -Only dickhead, dumbass… -Dani, dickhead… 34:39.666 --> 34:42.291 -[Jaime laughing] -Just that this kid drives me nuts. 34:42.375 --> 34:43.375 Honestly. 34:43.458 --> 34:46.666 I think that it's really nice to have the chance to see that reunion, 34:46.750 --> 34:50.208 in which we also saw the relationship between two fathers. 34:50.291 --> 34:52.791 What I needed was someone to believe in me. 34:52.875 --> 34:54.791 She's talking about her dad, Papa. 34:55.541 --> 34:57.541 Fuck's sake, I know she's talking about her dad. 34:57.625 --> 35:01.458 My dad thinks I can't be a robber anymore, but I can do it now better than ever. 35:03.125 --> 35:07.416 The father who had to take his daughter's transsexuality on board 35:07.500 --> 35:09.083 without any reference points. 35:10.375 --> 35:13.541 She's… She's starting to live. 35:14.541 --> 35:15.708 She's happy. 35:16.291 --> 35:18.375 She's been in jail all her life. Don't put her back. 35:19.583 --> 35:22.166 He's a miner who ends up becoming one of the main elements 35:22.250 --> 35:23.583 in the Bank of Spain heist. 35:23.666 --> 35:27.583 And he's always got an eye on the bank because his daughter's inside. 35:27.666 --> 35:29.958 [Benjamín] Professor, if you see my daughter, tell her 35:31.208 --> 35:32.708 that I love her very much. 35:33.541 --> 35:35.625 Money Heist is a lineage. 35:35.708 --> 35:38.625 There are families of doctors, right? Families of lawyers. 35:38.708 --> 35:40.541 Families who honor a profession. 35:40.625 --> 35:44.375 Your grandfather inaugurated our family line. 35:44.458 --> 35:46.041 Even the Professor says, 35:46.125 --> 35:48.041 "I'm the son of a thief, the brother of a thief." 35:48.125 --> 35:49.958 "I hope to be the father to a thief." 35:50.041 --> 35:52.208 And I hope someday to be the father of a thief. 35:53.125 --> 35:55.125 What he means is that this is a lineage. 35:55.208 --> 35:58.208 And you can't run away from who you are, from your lineage. 35:58.291 --> 36:02.041 And it's in that process of acceptance that people forge their characters. 36:02.125 --> 36:04.250 [thunder rumbling] 36:04.333 --> 36:06.125 [dramatic music playing] 36:06.208 --> 36:07.875 [Pedro] The character of Berlin 36:07.958 --> 36:10.750 sees how betrayal played out in his own home. 36:11.625 --> 36:13.625 By his own son and his own wife. 36:16.291 --> 36:17.666 They run off together, 36:17.750 --> 36:20.750 and that really shakes him up, but at the same time, 36:20.833 --> 36:23.708 it's a confirmation that his son is a worthy heir. 36:25.583 --> 36:28.875 [energetic music playing] 36:29.916 --> 36:31.875 [Pedro] The other day, I heard an actor 36:31.958 --> 36:35.083 I have a lot of respect for say, "Who cares about process?" 36:35.583 --> 36:37.791 I really enjoy talking about process, though. 36:38.291 --> 36:41.375 I got into painting because I started blotching up some scripts. 36:41.458 --> 36:42.458 I wasn't a painter. 36:44.708 --> 36:47.333 I started blotching up the scripts, and it helped me. 36:47.416 --> 36:49.375 I noticed that it helped me concentrate. 36:49.458 --> 36:51.583 [energetic music playing] 36:52.375 --> 36:56.083 [Pedro] So, I started to use that because, clearly, it was helping me focus. 36:59.166 --> 37:02.375 The concentration needed for painting or listening to music 37:02.458 --> 37:04.875 is different from dialectic concentration. 37:04.958 --> 37:08.708 Even if we do have to talk in the scenes, they're completely different. 37:08.791 --> 37:10.583 They're different avenues. 37:12.291 --> 37:15.125 NOT JUST WILD 37:15.208 --> 37:19.458 I'm painting the journey my character undertakes in… 37:19.541 --> 37:20.416 [knob squeaks] 37:20.500 --> 37:22.875 …the first two-thirds of the fifth season. 37:23.833 --> 37:28.166 Behind… the act of painting 37:28.958 --> 37:31.250 there is a clear desire… 37:33.875 --> 37:36.416 to connect directly with a deep current 37:36.500 --> 37:38.666 of the things that move us. 37:47.500 --> 37:50.500 That doesn't mean that just because you're painting, 37:50.583 --> 37:51.625 you're all set, right? 37:52.125 --> 37:56.291 But it is true that you neutralize things that aren't helpful for creative work. 37:58.041 --> 38:00.500 That's why I sometimes paint before I hear "action." 38:00.583 --> 38:02.166 [director] Three minutes, Pedro. 38:02.916 --> 38:07.333 [Pedro] The fact is that sometimes trying to understand the dynamics of a shoot 38:07.416 --> 38:09.250 is just too crazy, right? 38:09.750 --> 38:12.583 And you just keep swimming in the dark like that, 38:12.666 --> 38:15.458 waiting for that current to come and lift you up 38:15.541 --> 38:18.625 so you can surf that huge wave. 38:19.458 --> 38:22.625 Oh, if that happens, it's amazing. It's wonderful. 38:23.208 --> 38:25.958 That's not just a nugget. It's a whole gold mine. 38:26.041 --> 38:29.250 -It's the whole Bank of Spain. -[Pedro and interviewer laugh] 38:31.958 --> 38:34.208 [jolly music playing] 38:35.291 --> 38:38.666 "Add the fingers on your hand to the toes on your feet"? 38:39.291 --> 38:41.625 Plus your cock and your balls, it adds up to 23. 38:41.708 --> 38:44.291 "With your cock and your balls, it adds up to 23." 38:44.375 --> 38:45.500 [Denver laughs] 38:45.583 --> 38:48.291 It would be a pity if that phrase didn't rhyme in other languages. 38:48.375 --> 38:51.875 You can just stick that in your GPS, and it'll take you directly to the gold. 38:51.958 --> 38:54.083 Are you asking me how to say that in English? 38:54.166 --> 38:55.875 [laughs awkwardly] 38:55.958 --> 38:58.250 [Pedro] Fortunately, we have a polyglot on our team. 38:58.333 --> 39:00.458 Hands and hands and toes, 39:00.541 --> 39:02.166 dick and balls, 39:02.250 --> 39:03.625 is twenty-three. 39:04.333 --> 39:06.125 [laughs] I think. 39:06.208 --> 39:08.250 [train clatters on tracks] 39:09.166 --> 39:10.916 [Pedro] He's so good at languages 39:11.000 --> 39:13.666 that he's given us a peek at the dubbing process. 39:14.916 --> 39:15.833 Okely-dokely. 39:17.250 --> 39:19.500 I speak five languages perfectly. 39:20.000 --> 39:25.000 Croatian, English, German, Spanish, and Serbian. 39:27.916 --> 39:31.125 I like dubbing. I did it a lot in Croatia for cartoons, 39:31.208 --> 39:34.083 and it was a big challenge to do it with Marseille. 39:34.833 --> 39:36.916 Yes, pink because she's a girl. 39:37.000 --> 39:38.791 -Huh? -[indistinct chatter] 39:40.041 --> 39:43.791 Right now, we were just dubbing Marseille in five languages. 39:44.958 --> 39:46.166 [in Spanish] What about Danica? 39:47.625 --> 39:51.250 In my country, it means "morning star." 39:52.250 --> 39:56.958 [delivering lines in Italian] 39:59.041 --> 40:00.500 [in English] And Danica? 40:01.666 --> 40:05.208 In my country, it means, well, "morning star." 40:06.125 --> 40:08.958 [delivering lines in German] 40:10.708 --> 40:16.541 [delivering lines in French] 40:16.625 --> 40:18.958 ♪ If I stay with you… ♪ 40:19.041 --> 40:22.375 [Pedro] We've spent four years between two heists. 40:23.458 --> 40:25.083 -You call this a day off? -This? 40:25.166 --> 40:26.166 -Yeah? -My God. 40:26.250 --> 40:27.791 [both laughing] 40:27.875 --> 40:30.375 [Pedro] And although it's been stressful at times… 40:31.625 --> 40:33.333 -What a load of shit! -What a load of shit! 40:33.416 --> 40:37.875 …we're convinced we'll always remember Money Heist with a smile on our faces. 40:37.958 --> 40:39.625 [dance music playing] 40:39.708 --> 40:41.208 "You use it to have a good time." 40:41.291 --> 40:45.125 "He sets up the rules and the board, but he is a dirty trickster." 40:45.208 --> 40:47.083 [group laughs] 40:47.916 --> 40:50.166 He's great. He's great. The guy is nuts. 40:51.250 --> 40:52.458 This is war! 40:54.125 --> 40:56.416 He's like a big kid. He never stops. 40:56.916 --> 40:58.583 Correct me if I'm wrong, Hovik. 40:58.666 --> 41:00.000 He's a machine gun. 41:00.083 --> 41:03.333 "The powerful muscles of his esophagus can swallow a living creature 41:03.416 --> 41:06.000 putting up a fight because it doesn't wanna be swallowed." 41:06.500 --> 41:08.958 Oof. He's a one-man band, huh? 41:09.041 --> 41:12.083 [playing "Oh! Susanna"] 41:12.166 --> 41:14.833 [laughs] Yeah, I've done this before. 41:15.333 --> 41:17.291 He's flammable, isn't he? 41:17.375 --> 41:18.750 We had a good laugh. 41:19.458 --> 41:23.875 Would you look at that. Today's forecast said it would be a sunny day, but… 41:24.458 --> 41:25.708 Rain on the set. 41:25.791 --> 41:28.041 We had to light a cigarette in the rain. 41:28.791 --> 41:30.041 Pfft. 41:30.125 --> 41:31.666 [rain pattering] 41:32.250 --> 41:33.875 One of the guys from the art department 41:33.958 --> 41:36.458 had to bring it under an umbrella already lit. 41:36.541 --> 41:40.375 -[indistinct chatter] -[man] Careful. There's a gap there. 41:40.458 --> 41:43.750 So that we could smoke and get on with the action, right? 41:45.125 --> 41:46.916 Man, they were smoking their cigarettes. 41:47.000 --> 41:49.500 I mean, it was impossible. They were smoking like this. 41:49.583 --> 41:51.041 [Palermo inhales sharply] 41:51.125 --> 41:53.375 All the crazy things that happen in this business. 41:53.458 --> 41:54.458 A real show. 41:55.166 --> 41:57.875 People wouldn't begin to imagine all those things. 41:57.958 --> 42:01.750 [Pedro] And they probably can't believe that we dropped a drone in the water. 42:01.833 --> 42:04.750 -[crew member] There's batteries on it. -[woman] Whoa! 42:04.833 --> 42:07.291 We were standing there, and suddenly, we heard, "Boom!" 42:07.916 --> 42:11.000 I could see the drone sinking, like, with the bubbles rising up. 42:11.083 --> 42:14.750 And I looked over and I saw Jesús Colmenar yelling, "No!" [laughs] 42:14.833 --> 42:19.166 -[comically tense music playing] -They're testing us, the Viking gods. 42:20.125 --> 42:23.375 You know the classic smell of burnt drone? That's what it smelled like. 42:23.458 --> 42:24.291 [both laugh] 42:24.958 --> 42:27.666 It fell into the water with the camera and all, man. It crashed. 42:28.250 --> 42:32.333 [Pedro] Or that we had to train a Great Dane but weren't very successful. 42:32.416 --> 42:34.708 -[indistinct chatter] -[playful music playing] 42:35.583 --> 42:37.750 [woman] Calm down, and then he's going to… 42:38.666 --> 42:42.250 It's difficult because… he's really heavy. 42:42.333 --> 42:43.916 -[crew exclaim] -It's not an easy scene. 42:44.000 --> 42:46.166 He might knock everything over at any moment. 42:46.666 --> 42:48.208 Can he lay down? Can he? 42:48.291 --> 42:49.833 Ask him. I think so. Look. 42:51.125 --> 42:52.541 -[group laughs] -[woman] Good boy. 42:52.625 --> 42:55.041 [Jesús] That's the shot. That's the shot. 42:56.083 --> 43:00.125 [laughing] When I kissed Pedro, he got all excited, and he climbed on me. 43:03.375 --> 43:05.041 [group laughing] 43:12.583 --> 43:15.750 [Pedro] Or that this is, in fact, what actually happens 43:15.833 --> 43:17.041 when we travel. 43:17.125 --> 43:19.208 [quirky music playing] 43:19.291 --> 43:21.625 Here's the boss. He does this. 43:21.708 --> 43:24.583 [imitating Pedro] "Son, son. Brother. Listen to me." 43:24.666 --> 43:26.125 [Pedro snickering] 43:28.541 --> 43:29.708 [Hovik grunts] 43:31.375 --> 43:33.750 "I never do this. Never. Hmm?" 43:33.833 --> 43:35.541 [Pedro continues laughing] 43:36.125 --> 43:40.291 "Thing is, I think that we're turning this into a… co… uh…" 43:40.375 --> 43:41.333 [Pedro laughs] 43:41.416 --> 43:42.375 "…a comedy." 43:42.458 --> 43:43.541 "A comedy." 43:45.291 --> 43:47.958 [Pedro continues laughing] 43:48.041 --> 43:51.666 This son of a bitch gets under your skin, and it's absolutely wonderful. 43:51.750 --> 43:53.916 [both laugh] 43:54.500 --> 43:56.458 [Pedro] The time has come for us to do something. 43:57.375 --> 43:58.541 We tell them the truth. 43:58.625 --> 44:00.125 [Pedro] Here's a secret. 44:00.208 --> 44:03.666 The writers made it to the last day, the last hour, 44:03.750 --> 44:06.208 not knowing how the series would end. 44:06.708 --> 44:08.500 [tense music playing] 44:10.791 --> 44:13.375 We had a lot of sleepless nights, to be honest. 44:13.458 --> 44:18.208 A lot. And we were really worried because… we didn't have an ending, 44:18.291 --> 44:21.250 or we had one that would be… disappointing. 44:21.833 --> 44:24.333 "Álex, I can't sleep because I'm so embarrassed 44:24.416 --> 44:25.625 about what we came up with." 44:25.708 --> 44:27.083 "We don't have an ending." 44:27.166 --> 44:29.500 He says, "I haven't slept in three days myself." 44:29.583 --> 44:30.708 "What are we gonna do?" 44:31.291 --> 44:32.125 We had to shoot. 44:32.208 --> 44:34.833 They were asking us for the script, and we didn't have an ending. 44:34.916 --> 44:37.166 People kept saying, "Give us the script already." 44:37.250 --> 44:39.708 "Didn't you know how it would end?" We said, "Of course." 44:39.791 --> 44:41.916 "We're just polishing it up." We had no idea! 44:42.000 --> 44:44.000 It's the Spanish picaresque. 44:44.833 --> 44:48.333 And at a certain point, we realized that the Viking gold was the key. 44:48.916 --> 44:52.208 And then we came up with the idea for the brass, and we said, 44:52.291 --> 44:55.166 "Great! What a relief. We have an ending." 44:55.958 --> 44:59.125 The ingots that came in those trucks are gold-coated brass. 45:00.333 --> 45:02.791 And at that point, it all fell into place. 45:02.875 --> 45:05.958 We realized that the Professor had one last ace up his sleeve. 45:06.041 --> 45:09.708 And also, it was a much happier ending than anyone could've imagined. 45:09.791 --> 45:12.916 They're not fleeing. They come out in a different manner. 45:13.000 --> 45:16.125 Under escort and happy, with their lives sorted out. 45:17.916 --> 45:20.958 [Pedro] Some of you might think that it's too happy an ending 45:21.041 --> 45:22.958 for such a difficult heist. 45:23.958 --> 45:27.833 But we're convinced that all of this had to turn out well. 45:30.041 --> 45:33.458 It made us really sad, for instance, to think of ending the series, 45:33.541 --> 45:36.791 telling the viewers that this harsh reality had prevailed 45:36.875 --> 45:39.875 and that, in the end, they were going to kill all these robbers 45:40.375 --> 45:42.500 and that their dream just wasn't possible. 45:43.166 --> 45:46.541 There's something fundamental in the spirit of everything we've done 45:46.625 --> 45:47.791 and of Money Heist itself. 45:48.375 --> 45:51.250 It has to be hopeful, and it has to be positive. 45:53.500 --> 45:56.416 And we think this was a lot more intelligent, 45:56.500 --> 45:59.750 and it made the Professor and his gang even more grandiose, 45:59.833 --> 46:01.625 more legendary, and more… epic. 46:03.375 --> 46:05.583 [gentle music playing] 46:06.208 --> 46:10.375 There's a sense of… emptiness that stays with you. 46:11.166 --> 46:13.833 I get a sense of tenderness, a sense of happiness. 46:13.916 --> 46:15.541 Also, a sense of pride. 46:17.416 --> 46:20.375 -[shakily] It can't help but affect you. -[crew applauding] 46:20.458 --> 46:21.916 [indistinct cheering] 46:22.958 --> 46:24.416 [Jesús speaking indistinctly] 46:25.916 --> 46:27.916 [Úrsula] For me, Money Heist will never be over. 46:28.000 --> 46:28.833 It never ends. 46:30.166 --> 46:31.625 It's in here forever. 46:32.958 --> 46:37.125 Perhaps my most abiding memory is… and it's the tiniest detail, 46:37.208 --> 46:38.250 which is the memory 46:39.750 --> 46:41.291 of when we got together. 46:44.250 --> 46:47.541 And we decided that we were going to make this a heist. 46:48.333 --> 46:50.208 That's really the epic part. 46:51.000 --> 46:53.583 Making a war series is very epic. 46:53.666 --> 46:58.791 But putting Money Heist together from scratch… was a lot more difficult. 46:59.875 --> 47:01.541 [energetic music playing] 47:01.625 --> 47:02.750 [Esther] It was a lot of fun 47:02.833 --> 47:06.875 because we didn't know the first thing about heists when we started writing. 47:06.958 --> 47:09.083 We had to watch a whole bunch of movies and sort of… 47:09.166 --> 47:11.583 [imitates crunching] …mix them together in our brains. 47:12.625 --> 47:14.416 It was like jumping into the abyss. 47:14.500 --> 47:16.750 There were several ideas floating around. 47:18.916 --> 47:21.458 And I obviously wanted to go for the most complicated one. 47:21.541 --> 47:25.125 And in the end, we all went for the one that presented the biggest challenge. 47:26.166 --> 47:27.500 I've been here from the beginning. 47:27.583 --> 47:29.750 I've started this from scratch. 47:29.833 --> 47:32.833 From when we didn't even have an office or anything. 47:32.916 --> 47:36.416 So I have to admit that this has now become part of me. 47:37.333 --> 47:39.583 That's where it all began, with pure thrill. 47:39.666 --> 47:42.875 [soaring instrumental music playing] 47:43.458 --> 47:44.458 [Migue] We had nothing, 47:44.541 --> 47:48.333 just the pure excitement of wanting to tell a story in our own way. 47:49.041 --> 47:52.125 Knowing that we had the power to connect with an audience. 47:52.708 --> 47:56.166 That we were going to do something that we didn't know how to do. 47:57.416 --> 47:58.583 That turned out to be this. 48:00.625 --> 48:03.291 [dramatic orchestral music playing] 48:58.458 --> 49:01.208 [music fades out abruptly] 49:02.583 --> 49:04.041 [gentle music playing] 49:30.625 --> 49:32.208 [music fades out] ing]